Scrapbooks: v. 13, 1949-51.
Related Entities
There are 13 Entities related to this resource.
MacKenzie, Kenneth, FRCS
http://n2t.net/ark:/99166/w6ht4r5m (person)
Jones, Elizabeth, 1930-
http://n2t.net/ark:/99166/w6445pw8 (person)
Hoving, Lucas
http://n2t.net/ark:/99166/w6sb50nt (person)
Stone, Bentley
http://n2t.net/ark:/99166/w6dz1pzd (person)
Arova, Sonia
http://n2t.net/ark:/99166/w6xp77d1 (person)
Beatty, Talley, 1918-1995
http://n2t.net/ark:/99166/w6nc63rw (person)
Talley Beatty (22 December 1918 – 29 April 1995) was born in Cedar Grove, Louisiana, a section of Shreveport, but moved with his family as a child to Chicago, Illinois. He is considered one of the greatest African American choreographers. After studying with Katherine Dunham and being associated with her company for several years, Beatty went on do solo work and choreograph his own pieces, which center on the social issues, experiences, and everyday life of African Americans. Beatty began stu...
Les Ballets Américains.
http://n2t.net/ark:/99166/w6fj8459 (corporateBody)
Silvant, Jean.
http://n2t.net/ark:/99166/w6tm92pp (person)
Limón, José
http://n2t.net/ark:/99166/w6765hsg (person)
Ballets des Champs-Elysées.
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Petit, Roland, 1924-2011
http://n2t.net/ark:/99166/w6x63prj (person)
Page, Ruth
http://n2t.net/ark:/99166/w6gk070x (person)
Ruth Page, American dancer, choreographer, and director of ballet companies, was born in 1899, the daughter of a physician in Indiana. Her dance studies began with local teachers in Indianapolis. Like many a young girl, she was inspired by seeing Anna Pavlova perform, and actually did perform with the legendary dancer's troupe during a tour to South America in 1918. Her training continued in Chicago with Adolph Bolm who created The Birthday of the Infanta for her, dancing the role with Bolm's Ba...
Koner, Pauline
http://n2t.net/ark:/99166/w6p55vhq (person)
Pauline Koner, one of America’s foremost modern dance choreographers and performers, was born in New York on June 26, 1912 to Russian immigrants Samuel and Ida Ginsberg Koner. Unlike most American modern dancers, she did not trace her artistic beginnings to Isadora Duncan or Ruth St. Denis. In fact, she was already an established figure in the modern dance movement when she affiliated with the Humphrey-Limón Dance Company in 1946. Yet this was not the style in which she initially tr...